“Break Glass, hand embroidery on cotton drill, framed in a red box frame 135mm x 135mm” limited edition of three, signed and numbered. Enhances any work space, doorway or workshop. Available from agalleypresents@gmail.com #handembroidery #alarm #breakglass
8 steps to perfection, hand-embroidery on printed cotton drill, found tarmac, dimensions variable 8 steps to perfection, hand-embroidery on printed cotton drill, found tarmac, dimensions variable8 steps to perfection, hand-embroidery on printed cotton drill, found tarmac, dimensions variable8 steps to perfection, hand-embroidery on printed cotton drill, found tarmac, dimensions variable
One of the potential aims of art is to make people look again at things that they would normally disregard — to view things in a new, unexpected light — and in doing so to see them as if for the first time. This is a major feature of the fabric and installation art of Jay Hutchinson.
Hutchinson’s work takes the throwaway, literally, and raises it to a level where it is no longer worthless. Using as his subject discarded scraps and rubbish found on his daily journeys, he reclaims the items by recreating them and reinventing them as intricate and attractive embroidered pieces. This allows us to appreciate that even the detritus of everyday life can have its own surprising and subversive beauty.
Many of Hutchinson’s pieces are hand-embroidered in sewing silk on cotton drill cloth. Other, more massive, installations include urban materials such as tarmac slabs, steel and concrete. Hutchinson’s works subvert the norm, not by simply making high art from low art, but by making high art from scrap. While this makes us reappraise the everyday, it also posits the thought that rubbish, in all its accumulated glory, will become the epitaph of this civilisation, a Rosetta Stone or Bayeux Tapestry from which our history will be deciphered.
B-sides, rarities and treasures from the Dunedin Public Art Gallery car park install image B-sides, rarities and treasures from the Dunedin Public Art Gallery car park install imageB-sides, rarities and treasures from the Dunedin Public Art Gallery car park install imageB-sides, rarities and treasures from the Dunedin Public Art Gallery car park install imageB-sides, rarities and treasures from the Dunedin Public Art Gallery car park install image
Burger King wrapper, Hand-embroidery on printed cotton drill, framed in a black box frame 320mm x 320mmJelly Tip, Hand-embroidery on printed cotton drill, framed in a black box frame 320mm x 320mmQuarter Pounder box, Hand-embroidery on printed cotton drill, framed in a black box frame 320mm x 320mmUltra Super Slim, Hand-embroidery on printed cotton drill, framed in a black box frame 320mm x 320mmPoppa Jacks, Hand-embroidery on printed cotton drill, framed in a black box frame 320mm x 320mm
The last two works from the series ‘Far from home/ American trash’ will be available to purchase from the @masterworksgallerynz Summer exhibition ‘Raumati/Summer Salon’ from tomorrow…based on found object/trash in New York City 2019, pre pandemic. Both works hand-embroidery on digitally printed fabric, framed with Museum Glass in box frames 330 x 330mm #handembroidery #trash #rubish #litter #masterworkgallery #handstitched #textileart #newport #whitecastle #jayhutchinson
New work available exclusively through agallerypresents.com based on the iconic yellow Zig Zag cigarette paper packet, this limited edition of 6 hand stitched works gets smaller with each interpretation as a different filter is cut from the card.
Each work is then presented in a black box frame 250 x 250mm
Each work is signed and numbered on the reverse
contact agallerypresents@gmail.com for more information
New work for an upcoming exhibition late in August ‘Button up’ at Masterwork Gallery in Auckland
Screwed up Fruit Burst wrapper and three circular pieces of concrete Hand-embroidery on digitally printed cotton drill with cast concrete Dimensions variable
Screwed up Minties wrapper with three pieces of circular concrete Hand-embroidery on digitally printed cotton drill with cast concrete Dimensions variable
A collaborative project between tattooist Shaded Skull and artist Jay Hutchinson. Inspired by the Iconic ‘Speed Skull’ tattoo design by the legendary tattooist Bert Grimm. Shaded Skull designed his own versions of the skull, playing with rhyming words Weed and Greed. These designs were then hand stitched onto cotton drill and splattered with black spray paint in reference to when Shaded Skull and Hutchinson painted graffiti together in their youth…each work has then custom framed in hand built frames by Hutchinson